What metaphors does the author use to illustrate the relationship between his writing and Sai Baba's divine power?

As detailed in Chapter 3, the author uses several evocative metaphors to clarify that his writing is not his own creation but a manifestation of Sai Baba's grace. He compares himself to a musical instrument, like a flute or harmonium, which cannot produce sound on its own but depends entirely on the effort of the player. Another powerful analogy is that of the moonstone (Chandrakant), which is said to ooze nectar only upon moonrise, suggesting the author's words are a direct result of Baba's divine influence. Similarly, he likens his work to the ocean tide, which is not the ocean's own doing but is governed by the moon. These metaphors collectively emphasize his role as a passive instrument animated by Baba's will.