What is the significance of the photograph of Baba that was being kept at Mirikar's house?

The photograph of Baba mentioned in Chapter 51 adds another layer of divine orchestration to the story. This specific portrait was deeply revered by Megha, a devoted disciple. Its glass had broken, so it was sent from Shirdi to Nagar with Balasaheb for repairs. Once fixed, it was kept covered in Mirikar's drawing room. The text suggests it was 'as if waiting for Dixit.' After Dixit and Madhavrao finalized their travel plans, Balasaheb unveiled the portrait. Its presence at this pivotal moment underscored the miraculous nature of the events, and it was then entrusted to Madhavrao to be returned to Shirdi.