What introductory events from the previous chapter does the author of Chapter 42 use to set the tone, and what is their stated significance?

In the introduction of Chapter 42, the author recalls two specific miracles from the preceding chapter to establish the theme of Sai's divine power and grace. The first is described as a 'sweet story of wondrous divine play,' where Sai's portrait was immersed in water but was miraculously protected from harm. The second story mentioned is how Sai fulfilled a devotee's desire by appearing in a dream to give him clear permission to read the Dnyaneshwari. As Chapter 42 explains, these stories serve as examples of how the Guru's grace removes distress and fulfills desires, setting a reverent tone before the chapter delves into the profound topics of Sai's nature and his ultimate departure from his physical body.