What does this passage reveal about the management of the horse show or the logistics of transporting large portraits?

While a horse show is mentioned in Chapter 51, the text provides no details about its management. It serves only as a setting for why Balasaheb entrusted Baba's portrait to Madhavrao. The narrative's true focus is not on logistics but on the spiritual significance of the events that follow. The portrait's appearance is described as a 'strange occurrence' that brings 'extreme delight' to Kakasaheb Dixit. The subsequent journey to Shirdi, as chronicled in chunks 13 and 14, emphasizes divine coincidences, like finding space on a packed train, rather than the practical challenges of transporting a photograph. The story highlights how Sai Baba's grace resolves travel difficulties for his devotees.