What details are provided about the portrait of Baba that was present during Dixit and Madhavrao's meeting?

Chapter 51 provides interesting details about a portrait of Sai Baba that was present at Mirikar's house. The text mentions that after the travel plan was settled, Balasaheb Mirikar moved a curtain aside to reveal Baba's photograph. This specific portrait was one that Megha, a devoted disciple, used to worship with great love, viewing it as Lord Shankar. The portrait had been sent from Shirdi to Nagar for repairs because its glass had broken. Having been repaired, it was kept covered in Mirikar’s drawing room, 'as if waiting for Dixit.' This adds a layer of divine presence to the scene of the meeting.