Chapter 51 provides details about a specific photograph of Sai Baba that was present during Dixit's visit to Mirikar's house in Nagar. This portrait was deeply revered by Megha, another of Baba's devotees, who worshipped it as Lord Shankar. The glass of the photograph had broken, so it was sent from Shirdi with Balasaheb to be repaired in Nagar. After being fixed, the portrait was kept covered in Mirikar's drawing room. The text from Chapter 51 suggests it was "as if waiting for Dixit." This detail adds another layer to the miraculous nature of the events, implying that even inanimate objects associated with Baba were part of the orchestrated plan to welcome and reassure Dixit.
The source mentions a photograph of Sai Baba in Mirikar's house. What is the story behind this portrait and its connection to Dixit's visit?
📖 Chapter 51