Shama's use of the term 'Gaud-bangal' (mysterious play) reveals the devotees' profound belief in Baba's divine, inscrutable nature. As described in Chapter 18, despite his extreme worry for the woman's life, Shama doesn't accuse Baba of simple neglect. Instead, he frames the perplexing situation as a divine play whose purpose is 'unknown to others.' This indicates that followers like Shama perceived Baba's actions, or even his apparent inaction, as part of a larger, cosmic plan that was beyond their human understanding. While he feared the worldly consequences, he ultimately deferred to Baba's will, asking for a 'decision' rather than just demanding action.
Shama refers to the situation with the fasting woman as Baba's 'Gaud-bangal' or mysterious play. What does this suggest about the devotees' perception of Baba?
π Chapter 18