In Chapter 49, the author mentions different types of speech like 'Vaikhari' and 'Para.' What does this tell us about the challenge of describing Sai Baba?

Chapter 49 uses concepts from Indian philosophy regarding the levels of speech to illustrate the impossibility of fully capturing Sai Baba's greatness in words. The text notes that the transcendental speech ('Para') turns back, unable to describe the Sadguru, and that the intermediate stages ('Pashyanti' and 'Madhyama') also fall silent. This implies that if these higher, subtle forms of speech cannot articulate Sai's nature, then the fourth and final stage, the spoken word ('Vaikhari'), is utterly inadequate for the task. This philosophical point emphasizes that Sai's Leela is inexpressible and His art is inconceivable, making the author's attempt to write the Satcharita a profound act of devotion despite the inherent limitations of language.