How does the beginning of Chapter 16 use metaphors to describe the Sadguru's divine state and court?

The introductory verses of Chapter 16 of the Sai Satcharitra use rich metaphors to depict the Sadguru's divine assembly. He is portrayed as a "Guru-King" seated on a "throne of peace." The fans (chowries) waved on his sides are not physical objects but the abstract concepts of "Self-experience and immediate realization." His cabinet consists of eight ministers, which are personifications of spiritual practices like Detachment, Devotion, Pure Knowledge, Hearing (Shravan), Reflection (Manan), and Meditation (Nididhyasan). As mentioned in Chapter 16, even the Vedas, Shastras, and Puranas are described as bards singing his glory, creating a powerful image of the Guru's supreme spiritual status.