How does the author characterize Sai Baba's divine play and elusive nature in Chapter 46?

In Chapter 46, the author portrays Sai Baba as a master puppeteer whose actions are subtle and mysterious. It's described that Baba 'moves the strings' in such a way that his presence isn't obvious, yet devotees feel that he is standing right behind them. The chapter highlights a paradox in his nature: he makes the simple and innocent 'play by His own power,' while the proud and clever get stuck. A key characteristic emphasized is that Sai Baba 'plays all the games from within, yet You fly the flag of detachment; You perform everything yet call Yourself a non-doer.' This makes his true character incomprehensible to most.