The bhajan sessions preceding the Chavadi procession were a key part of the celebration, filled with enthusiastic devotee participation. Chapter 37 recounts how men and women who revered Hari-bhajan would gather in the assembly hall. They would actively create a devotional atmosphere by playing various instruments; some had cymbals, others used small wooden clappers, and some played the mridanga drum or tambourine, collectively raising a 'storm of bhajan.' The effect of Sai Baba's presence was profound. The text describes Him as a 'powerful magnet' whose immense spiritual attraction would pull the 'iron-like devotees' and draw them unknowingly to His feet.
How did devotees participate in the bhajan sessions before the Chavadi procession, and what was the effect of Baba's presence?
๐ Chapter 37