Chapter 49 mentions different stages of speech like 'Para' and 'Vaikhari'. What do these references tell us about the author's view on describing Sai's greatness?

Chapter 49 uses the concept of the four stages of speech to emphasize the impossibility of capturing Sai's true nature in words. The author states that Sai's greatness is a realm from which "Para," or transcendental speech, returns defeated. Where the highest form of speech fails, the chapter notes, there is no hope for the lower stages of Pashyanti or Madhyama. This leads to the conclusion regarding the fourth and most gross stage, Vaikhari (the spoken word): "what of the fourth, Vaikhari?" This rhetorical question highlights the utter inadequacy of ordinary language to describe the "inconceivable art of the Unfathomable." Despite knowing this profound limitation, the author proceeds, suggesting that the act of writing is one of surrender and devotion rather than an accurate description.